In 2001 I started working with video as a tool to document my live performance work. The use of video extended the duration and locational reach that was not otherwise possible with performance.

The use of video as a practical means of documenting my performance work developed into an interest in the camera as an extension of the body and I became interested in digital video as an art form.  I began experimenting with a wide range of video techniques including green screen, multi-channel projections, large scale video installations, and experimental narrative formats.

A Reasonable Expectation of Privacy

Troupe de Fetishe

Troupe de Fetishe [xs]

Profile Confusion

Blow: Bubbles

Aerial Umbrella

Eye

Triture