Video extended the duration and locational reach that was not otherwise possible with live performance.
The utilitarian use of video to document performance art quickly developed into an interest in the camera as an extension of the body. Influenced by expanded cinema’s aesthetic that functioned both as a critique of the culture industry and a new method of organizing viewers’ experience in relation to media, Lisa Marie’s work similarly pushed the boundaries of cinema.
A Reasonable Expectation of Privacy
IceBox Project Space, Crane Arts Building, Solo Exhibition, Philadelphia, PA (2018)
TROUPE DE FETISHE
IceBox Project Space, Crane Arts Building, collaborative video installation, Philadelphia, PA (2010)
TROUPE DE FETISHE [XS]
The Video Show, 3rd International Juried Exhibition, Branchburg, NJ (2014)
PROFILE CONFUSION
Out of Site, Gallery Twenty-Two, Design Philadelphia, (2019)
Philly Tech Week, Philadelphia (2016)
Tinker’s Stew
University of Colorado, Boulder, Pendulum Series, Boulder, CO (2008)
Institute of Contemporary Art, Philadelphia, PA (2008)
Kaleidoscope
Festival International, Lafayette, LA (2012)
Randall Theater, Philadelphia, PA (2010)
Eye
Victory Media Plaza, Dallas, TX (2006)
